The Re-appropriation: Inflamed Recreation Room
Exhibition/workshop/performance/zine2015
Inflamed Recreation Room
The Re-apropriation of Sensuality
Exhibition, performance, workshop & publication
Scriptings Issue #41
Berlin July 2014 - April 2015
Berlin Art Week 2014
The Re-apropriation of Sensuality
Exhibition, performance, workshop & publication
Scriptings Issue #41
Berlin July 2014 - April 2015
Berlin Art Week 2014
In collaboration with Janine Eisenächer & Sonja Gerdes
The exhibition comprised a room inside a room constructed from newspaper panels painted white on the outside and pink on the inside. The panels were then over-painted collaboratively with improvised symbols by Emma Wolf-Haugh and Sonja Gerdes while they discussed what femininity means. The room was used as an internal stage for the opening night performance by Emma Haugh and Janine Eisenächer who performed inside the ephemeral structure, surrounded by the audience who caught glimpses through holes and cracks in the temporary architecture. The performance script was collaged using materials from The Re-appropriation of Sensuality archive by Janine Eisenächer.
Scriptings issue #41 was published alongside the exhibition and was used as collage material in a public workshop that closed the project.
︎Scriptings
︎Fine Print Magazine, Kim Littler, 2015
The exhibition comprised a room inside a room constructed from newspaper panels painted white on the outside and pink on the inside. The panels were then over-painted collaboratively with improvised symbols by Emma Wolf-Haugh and Sonja Gerdes while they discussed what femininity means. The room was used as an internal stage for the opening night performance by Emma Haugh and Janine Eisenächer who performed inside the ephemeral structure, surrounded by the audience who caught glimpses through holes and cracks in the temporary architecture. The performance script was collaged using materials from The Re-appropriation of Sensuality archive by Janine Eisenächer.
Scriptings issue #41 was published alongside the exhibition and was used as collage material in a public workshop that closed the project.
︎Scriptings
︎Fine Print Magazine, Kim Littler, 2015